Gone Fishing: A Life Less Complicated

A Film by David Attali

The Story

Hong Kong is a dense city where everyone seems to run around the streets with a laser focus aimed at their next appointment. Business often equates to busyness. One can often be perceived as complacent if they do not complete the planned seven meetings, ten calls, and three presentations before the end of the day. Hong Kong is a super-efficient powerhouse that delivers outcomes. “Work hard, play hard” is the mantra that plays in most minds. The constant hustle and bustle infuse the city with an energy that often surprises the unsuspecting visitor. Time here, just like space, seems to compress, and while that very energy is intoxicating for many, for some, it is challenging.

Meet Vergil Colin Lau, who upon his return from Canada could not buy into this model. His first few years back were a shock to the system. The contrast to the slower pace of life he grew up with was too strong. So when he returned to Hong Kong, a Sheung Wan building, home to his family’s fishing tackle shop, became his refuge—a sanctuary at the heart of the urban chaos.

Vergil prefers a life less complicated and aims to enjoy every moment of it. Twice a year, he organises a fishing trip to the Soko Islands with friends and clients — an escapade of sorts. This time, to Tai A Chau which used to harbour thousands of Vietnamese refugees. On these grounds, Vergil walks and gives his mind some space to roam free — something that in the age of digital assault is rarely possible.

The Genesis of the Project: Director’s Intention

Having lived by the harbour for so many years, I had always thought something was compelling about the maritime world being anchored in Hong Kong’s soul. Hong Kong is intimately connected to the sea in all its aspects: seafood is a delicacy at every banquet, the maritime logistical hub and its massive container vessels are a sight to behold, and leisure here often means a day at the beach or an excursion out to one of the hundred islands that compose the peninsula.

I’d always been curious about the leisure fishermen dipping a line along the harbour promenade. Recently, I became intrigued by how some were as well-equipped as professional athletes. When Hong Kong people pick a hobby, they are dead serious about it. I found the ballet of these (mostly) men carrying carbon fibre rods and techno creels, hopping on boats that sometimes take them two days at sea, fascinating. I wanted to tag along with them. It was one day while walking the streets of Sheung Wan, I came across the surprisingly well-designed Po Kee tackle shop. Little did I know, I was embarking on a meditative journey.

Credits:

Director and producer: David Attali
Director of Photography - Rusty Foulkes
Production Manager - Pingkan Irwin
First Assistant Camera - Dicky Ho Ching Hei
Sound Technician - Jacky Luk Man Hon
Production Assistant - Emma Johnston
Editor/Colorist - Alex Law Tsz Hin

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